Spotify has been one of the leaders in music globalization
since its launch in 2008. With 140M active users, 60M of those paid
subscribers, the music streaming service has made it possible to access a
library of over 20M songs at a moment’s notice across 61 countries. In each
individual market they enter, the company gathers a team of experts to curate specific
playlists that appeal culturally to each country. The globalization of music requires
sensitivity to the markets in which one intends to reach; the cultural
proximity of the equation plays an equal part of the diffusion in music. In
terms of the music itself and how the industry determines its popularity based
on its widespread accessibility, streaming services have compltely changed the way music is rated. Fifteen years ago, music was
easily measured based on physical sales and radio play. Now with the access to
streaming services, popular artists can run the billboard charts for months
with the right exposure. While this is good for these specific global stars, it
creates an impossible pedestal that upcoming artists cannot seem to match. New
acts fail to match the same kind of exposure as the superstar talent, and their music
is licensed off for very little return in royalties. The formula for services
like Spotify has created a great opportunity for artists to get their ideas
across continents, however the impact on the industry has been so major that it
has created an entire new playing field that artists and music corporations have to address.
IFPI. “Global Music Report
2017.” IFPI - Representing the Recording
Industry Worldwide, International Federation
of the Phonographic Industry,
Apr. 2017,
www.ifpi.org/recording-industry-in-numbers.php.
This global music report highlights several areas of my presentation along with more examples as to how the industry is evolving.
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